8/13/2023 0 Comments Jazz bass pre ampAt this point and beyond, the effect becomes much more pronounced, but the curves involved here are gentle as opposed to the extreme curves you can create by boosting or cutting the active tone controls (EQ). If you go further clockwise past the two o'clock position, however, selected mids will start to drop off specifically, a group of frequencies centered around 200Hz. At the same time, it adds a little lower midrange to help cut through the band. This position-a favorite for many users-brings out the low-end fundamentals and crisp highs. This remains true up to about the two o'clock position. As you increase the control clockwise from the "MIN" position, you're elevating a whole range of sound (lows, mids and highs) at a variety of frequency points selected specifically because they're different than those selected for the individual tone controls. The Aural Enhancer works as a variable tone curve that changes depending on how you set it. The result is a more transparent sound, especially noticeable when slapping and popping, and it can give a passive bass an "active" quality when set at two o'clock" or higher. It was developed to help bring out the fundamental low notes of the bass guitar, to enhance high-end transients and to reduce certain frequencies that help mask the fundamentals. The Aural Enhancer has been a feature on nearly every SWR amplifier since the company's inception in 1984, and is a trademark part of the "SWR Sound" people have come to know and love. Basically a tone shaping control, the Aural Enhancer was developed to bring out the fundamental low notes of the bass guitar, to reduce certain frequencies that help mask the fundamentals and to enhance the high-end transients. Exact frequencies affected are dependent on the characteristics of the instrument used. This pre-shaping is "blended" into the original signal through the Aural Enhancer Control. The Aural Enhancer is a passive R/C network that alters the frequency response throughout the bass spectrum. Here you can see a clip of Marcus explaining himself some of the features of this preamp: When coupled with the Bass Intensifier you get a full bodied sound that will sit perfectly in any mix. Some famous external preamps can hardly handle the attack of a bass, but the SWR does this job admirably, and you can go from a soft setting that will just balance those peaks to an extreme setting where the bass is somewhat "squeezed" but still musical. The Compressor itself is worth the price of the whole unit. This swith is present in many expensive outboard tube compressors, but it doesn't have the same effect as on this SWR. Great! The Pre/Post EQ switch in the Compressor also makes a great sonic difference. A subtle change in the EQ makes an instant impact. Every pot does what it is supposed to do. Testing this preamp reveals that this is not just a nice tricks box with bells and whistles. 4 way switch included for: EQ On/Off, Bass Intensifier On/Off, Effects Loop On/Off & Bosst On/off Adjustable and switchable Boost with specific Compressor Send control Comprehensive EQ section (bupassable): Bass & Treble plus semiparametric Low, Mid and High. Full featured studio quality Compressor with Thershold, Ratio, Attack & Release controls plus Pre/Post EQ position (smart!) Mute Switch for silent tuning or just silence. Wide range input Gain plus pad to handle all types of bass signals. Dual input for two basses, switchable, plus one more at the back for wireless units. These are used for the Preamp, EQ, Compression and DI. Marcus Miller wanted to make sure that his signature preamp would have all the tools a pro bass player might ever need in the studio, so no corners were cut in order to achieve it. SWR took this chance to codesign the ultimate bass preamp with Marcus Miller's aid, and this is the result. Marcus Miller used SWR for years, then switched to EBS and then back to SWR. He took his loved '77 Jazz Bass in the early 80's to Roger Sadowsky to have an onboard 2 band EQ installed, and that became his trademark sound.Īs Marcus puts it, in those days you didnt't have the time to find a good sound in the studio, so produces appreciated the fact that he got an excellent sound ut of his modified Jazz Bass every time. From the beginning, Miller has taken great care to have an excellent sound out of his bass. Not just an accomplished bassist with a personal style and groove to spare, he is also an excellent clarinetist and producer. Marcus Miller is one of today's heavy weights in the bass world.
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